How the Strictly snog scandal went from sequins to being a serious story | Frances Ryan



Below is an extract of a post published on Guardian titled "How the Strictly snog scandal went from sequins to being a serious story | Frances Ryan"

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Via: Guardian

The fallout from contestant Seann Walsh’s indiscretion shows we should be wary of reducing other people’s lives to entertainment fodder If historians of the future wish to analyse British culture in 2018, they could do worse than inspect the Strictly Come Dancing kiss scandal. First, front pages were emblazoned with reports that Seann Walsh and professional dance partner Katya Jones had been caught “snogging” outside a club (which makes it sound like Strictly is Britain’s bike shed and the British media are collectively skiving maths). Then, on Tuesday, Walsh’s long-term partner, actor Rebecca Humphries, accused the comedian of “controlling” behaviour, alleging Walsh had been “aggressively, and repeatedly, call[ing] me a psycho/nuts/mental”. At the time of going to press, Walsh had not responded to these claims. A story that started as a bit of fluff has quickly shifted into one about the dangers of controlling relationships. Humphries’ post on Instagram was a powerhouse takedown of an ex-boyfriend, from adding the extra N in his first name in brackets – to show it is an affectation – to taking their pet cat. But it’s her description of allegedly abusive behaviour that really stands out, as well as her show of solidarity with other women in similar situations. “I have a voice and will use it by saying this to any woman out there who, deep down, feels worthless and trapped with a man they love,” she wrote. “Believe in yourself and your instincts. It’s more than lying. It’s controlling.” Calling out alleged gaslighting publicly is particularly powerful because it thrives on isolation and secrecy: a victim is led to question her own version of reality, while her protestations are used as evidence she is “crazy”. Continue reading…


How the Strictly snog scandal went from sequins to being a serious story | Frances Ryan

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