Below is an extract of a post published on Guardian titled "Fahrenheit 11/9 review – Michael Moore's righteous rage at Trump"
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Make america great again.- Donald Trump.
What counts is not necessarily the size of the dog in the fight. It's the size of the fight in the dog.- Dwight D. Eisenhower.
The best executive is the one who has sense enough to pick good men to do what wants done, and self-restraint to keep from meddling with them while they do it.- Theodore Roosevelt.
Discipline is the soul of an army. It makes small numbers formidable; procures success to the weak and esteem to all.- George Washington.
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Via: Guardian
In his latest documentary, Moore’s bewildered fury at the president is powerfully evident, but he fails to deliver a knockout blow Michael Moore is still reeling at the news of Donald Trump’s presidential victory. Who can blame him? There is integrity, even heroism, in this outright refusal to come to terms with it, to normalise it in his mind. That custard pie in America’s face landed on 9 November 2016 – 11/9. The date gives Moore a cute numerical reversal of his great movie from 2004, Fahrenheit 9/11, and that’s still a documentary that must be respected for calling it right on the war on terror, long before disbelieving in WMD became a bland article of faith among precisely those critics who disparaged Moore’s film at the time. Moore’s understandable rage and bewilderment perhaps account for the flaws in this vehement but incoherent film. It restates bits and pieces of all the great polemic he’s given us over the last 20 years – guns, corporate mendacity, community betrayal, beltway culpability – and actually repeats his opening line from Fahrenheit 9/11. “Did we dream it?” he moans, to nightmarishly vivid TV footage of Hillary Clinton preparing for her coronation in 2016, like Al Gore in 2000. But Moore never quite settles on a single, compelling riposte to Trump, never really hones his arguments to one, piercing arrowhead of counterattack. Instead, he rambles over almost everything … entertainingly, but confusingly, ending on an image of Parkland School shooting survivor Emma Gonzalez. Continue reading…
